Jumat, 15 Januari 2010

100 Great Artists: A Visual Journey from Fra Angelico to Andy Warhol by Charlotte Gerlings(2006)



Book Description:
From Fra Angelico to Francisco Zurbaran, from the masters of the Renaissance to the abstract expressionists, this lavishly illustrated volume showcases the most influential Western artists from 800 years of art history, including:

• Michelangelo
• Salvador Dali
• Mary Cassatt
• Edgar Degas
• Pablo Picasso

categories:Art


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Edgar Allan Poe's "The Tell-Tale Heart" and Other Stories (Bloom's Modern Critical Interpretations)


Book Description:Though critical opinion of the literary merit of Edgar Allan Poe's writing has varied widely since his death in 1849, his tales have remained popular for their gothic sensibilities and evocative explorations of human vice and desire. Poe's influence on subsequent generations of science fiction and horror writers cannot be understated. This new collection of full-length critical essays explores the enduring works of this esteemed writer and the often-shadowy worlds he brings to life. This study guide to "A Tell-Tale Heart" and other Poe stories features a chronology of the author's life, a bibliography, an index, notes on the contributing writers, and an introduction by Professor Harold Bloom.
categories:Horror,short story


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Animal Anatomy for Artists: The Elements of Form

From Booklist
Goldfinger, author of Human Anatomy for Artists (1991), stresses that bodies have specific volumes created by anatomical structures, and he reveals how the interrelationship of muscles and bones determines shape and proportion. His straightforward guide starts with animal classification and a listing of nonmedical terminology and then explicates the "basic body plan." Detailed line drawings, black-and-white photographs, and silhouettes, as well as explanations of skeletons, emphasize the functions of various body portions such as lower leg and shoulder joint, and Goldfinger thoroughly depicts individual muscles before progressing to elaborate side views and cross sections of complete anatomies. Feathers, horns, and antlers are treated separately with both diagrams and photos before the text concludes with a brief overview of the venous system. Many will find especially useful the extensive, multimedia, annotated bibliography. This technical treasure is sure to find an audience among artists and serious animal enthusiasts alike. Whitney Scott
Copyright © American Library Association. All rights reserved

Review: "The definitive reference guide on the subject."--American Artist
"This technical treasure is sure to find an audience among artists and serious animal enthusiasts alike."--Booklist
"An excellent tool for beginner or master painter, sculptor, or illustrator."--Art Times
"The work of artist Eliot Goldfinger combines scientific rigor with aesthetic discrimination. In its wide scope and copious detail, his new book on animal anatomy is an invaluable reference for anyone intent on the vivid depiction of animal life, including painters, sculptors and animators. Artistic anatomy has fallen on hard times in recent years; no one has done more to bring it out of the doldrums--with this book and its predecessor on human anatomy--than Eliot Goldfinger."--Gary Faigin, Artist; Co-founder and Artistic Director of the Seattle Academy of fine Arts; Instructor of anatomy, painting and drawing; Author of The Artist's Complete Guide to Facial Expression
"Animal Anatomy for Artists is an essential reference for any artist working with animals. It provides remarkably extensive material on the horse, cow, lion, and dog, and strong basic material on numerous other species, domestic and exotic. Goldfinger presents material that is not available in any other anatomy book in print. I, and many of my colleagues familiar with his excellent and important text, Human Anatomy for Artists, are fortunate to have this book for our use as well as that of our students. Animal Anatomy for Artists is an exciting and major addition to the literature of art education."--David Klass, Artist; Instructor in animal and human anatomy at the New York Academy of Art in New York City and the Loveland Academy of Fine Arts in Loveland, Colorado
"While this book is indeed useful to artists, Animal Anatomy for Artists is so much more than an anatomy reference book--it is Eliot Goldfinger's graphic celebration of the wonders and intricacies of animal anatomy, a visual testimony to his consummate skill as an anatomist and an artist. To appreciate the way the animals are put together, use this book, and along the way, marvel at the depth and range of its author."--Richard Ellis, Natural history painter and writer; Author and illustrator of Great White Shark, Aquagenesis, and The Empty Ocean
categories:Art

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Neo Avant Garde(edited by David Hopkins)


Book Description:The neo-avant-garde of the 1950s, 60s and 70s, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blindspots in current neo-avant-garde studies, with thematic issues such as art's entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the 'cultural logic' of the immediate post-World War II period. Contents Preface David HOPKINS: Introduction I. Art and Life: David HOPKINS: 'Art' and 'Life'… and Death: Marcel Duchamp, Robert Morris and Neo-Avant-Garde Irony Mark SILVERBERG: Working in the Gap between Art and Life: Frank O'Hara's Process Poems Anna DEZEUZE: 'Neo-Dada', 'Junk Aesthetic' and Spectator Participation II. Across Art Forms: Guenter BERGHAUS: Neo-Dada Performance Art Anna Katharina SCHAFFNER: Inheriting the Avant-Garde: On the Reconciliation of Tradition and Invention in Concrete Poetry R. Bruce ELDER: The Structural Film: Ruptures and Continuities in Avant-Garde Art III. Centres/Peripheries: Tania ØRUM: Minimal Requirements of the Post-War Avant-Garde of the 1960s Claus CLUEVER: The "Ruptura" Proclaimed by Brazil's Self-Styled "Vanguardas" of the Fifties Richard J. WILLIAMS: Towards an Aesthetics of Poverty: Architecture and the Neo-Avant-Garde in 1960s Brazil IV. 'High'/'Low' : K
categories:Art and life

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Pop Art: Colour Library (phaidon Colour Library) (jamie james-1996)


Book Description: Pop Art: Colour Library (phaidon Colour Library)Pop Art was one of the most revolutionary art movements of the twentieth century. During the years of the Macmillan and Eisenhower administrations, a period of peace and prosperity - and complacency - the first pop artists attempted to deflate the established order. Their audacity at first scandalized the Establishment, but by the mid-1960s their work dominated the world art scene. In the 1950s, a group of artists in Great Britain and the USA, rather than despising popular culture, gladly embraced both its imagery and its methods. Photographs, advertisements, posters, cartoons and everyday objects formed the basis of their art. Roy Lichtenstein (1923-) painted scenes lifted straight from comic strips. Andy Warhol (1928-87) took photographs from newspapers and silkscreened them onto canvases in shocking, fluorescent colours. James Rosenquist (1933-), a billboard painter by training, borrowed banal images from advertising and put them together to make absurd juxtapositions. More than any other art movement before or since, Pop Art exerted a strong influence on popular culture; its bold graphic style and insolence was widely imitated by the very media that had inspired it.

The series has always been highly regarded for its insight and authority, providing an invaluable introduction to key artists and movements in art history. Each volume contains an introductory essay, forty-eight full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white.
categories:Art

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Beyond Logos: New Definitions fo Corporate Identity (Graphic Design)


Book Description: Beyond Logos : New Definitions Of Corporate Identity
Corporate identity, the design and marketing buzzphrase of the 80s and 90s, has undergone a revolution in the last five years. Now the talk is of branding. With the growth of globalisation and the increasing realization among corporations large and small that this is their only way of distinguishing themselves, large sections of the design industry have adapted to offer new services and meet the new branding challenges.

Arranged in thematic chapters with an introduction, Beyond Logos identifies and deconstructs the kind of corporate move that turns a footwear store into a aecathedralAE and a cigarette brand into a smokerAEs retreat. It tracks the rise of the brand and pinpoints the role played by design companies in creating the experience economy -- a world in which corporations do not have identities but brands, visions, big ideas. Beyond Logos shows how, as we enter the 21st century, we are being taken beyond logos.
categories:Art and Design

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Through the Eyes of Leonardo Da Vinci(2004)


Book Description: Through The Eyes Of Leonardo Da Vinci
From the drawing of the stalk of a lily with a head of flowers, to the well-known "The Proportions of the Human Figure," this volume presents several works culled from the hundreds of drawings that flowed from Leonardo da Vinci's pen and brush. Each work is accompanied by a detailed description to enhance the appreciation of the artist's creation.
categories:Art

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